The Phantom and the Frame: Poetry in Pictures
‘ at the same time, every piece of art I’ve created thus far has come from experiencing solitude. No outsider has ever had any sort of influence on my process of creation.‘
– Which part is more prevalent, the photographer or the poet?
I would say both the photographer and poet can’t live without the other. For me, photography serves as a map, and poetry is the key to unlocking what’s hidden. I know a few people who’ve attempted to pressure me into picking a niche when it comes to photography, but I can’t. For me, my photography is multifaceted and my poems allow me to bring home that point. Without poetry my photos aren’t complete. Both mediums are interconnected giving further insight into the world of KURAI. Also, I’m naturally a very introspective person. I tell people this all the time, I just don’t take photos, I create different worlds, each with their own unique lore. Art is about expressing feelings which heals the soul, and what helps me is photography and poetry.
– How has mixing these two outlets helped in expressing yourself?
Before this year, I was only focused on pushing my photography. For a while I had put my poems on the back burner. My priority was to work with clients so I could build my photography career. However, meeting people has proven to be a challenge. I noticed a lot of people either don’t take me seriously simply because I don’t have a huge following or the fact that I never boxed myself into a niche. Dealing with folks constantly criticising my work made me doubt myself as a creative person. I posed the question: am I actually a bad photographer? (Nope, I’m not). I got tired of chasing trying to please people, so I fully committed to my vision, because I know one day I’ll find the right group of like-minded individuals to work with. Until then, I have to keep fighting and pushing my artistic beliefs. Reason why since the start of the year I vowed to promote my poems alongside my photographs. Studying the work of an Artist such as Jean Michel-Basquiat, inspired some sort of an artistic reawakening within me. What I appreciate about Jean-Michel Basquiat is the fact that his written work is just as important as his drawings and paintings. That’s when I realised that my photography can’t breathe without my poems. By combining both art forms I’ve been able to understand the true depth of my soul. The visual arts help me express my outer thoughts regarding this world and my poems allow me to reveal my inner thoughts regarding life.
-What challenges your creativity?
Loneliness and solitude. Those two words represent different experiences which constantly challenges my mind. I love to create, but the more I do, the more I realise I’ve always been alone and misunderstood. But at the same time, every piece of art I’ve created thus far has come from experiencing solitude. No outsider has ever had any sort of influence on my process of creation.
– How have your experiences shaped you as a creative?
I’m originally from Boston Massachusetts, but at the age of nine due to uncontrollable circumstances I had to leave and move to Montreal Quebec Canada. I never got the chance to say bye to any of my classmates or teachers. For them, I was probably just a mirage who permanently disappeared without a trace. That small summary of my background encapsulates who I am as a creative. I’m spontaneous and elusive, never attached to anything. I just go with the flow because from a young age I learnt that in life you need to know how to deal with any situations that may come your way. You can’t be one-dimensional.
– Why are you different? Not justifying yourself as an artist, just sharing why you do the things you do in such ways?
The answer is quite simple, I’m Darlens, I’m KURAI. The only way I can do things is my way. I can’t copy someone else’s confidence, I can’t mimic another photographer’s style, and I definitely can’t live trying to appease to peoples fluctuating standards. The one quality that I’ve always had in my locker was knowing that despite being alone, I have this quiet confidence of being my authentic self.

-There’s rarely any colour in your photos, is this intentional and why?
I’m an intuitive and spontaneous photographer. For some reason my heart always encourages me to capture the flow of life in black and white, and I honestly don’t know why. Maybe it’s because photos devoid of colours are less distracting, which helps the eye confront the truths others prefer to will-fully ignore. Another reason why my intuition has a tendency to lean more towards the realm of monochromatic obscurity is my obsession with Anime and Manga. I love reading Japanese graphic novels. Each artist has their own distinct style. Some manga’s are heavy on the ink and contrast, while others are more refined with minimal lines. Manga’s such as Tokyo Ghoul, Blame!, and Claymore are the first three graphic novels I’ve read from start to finish. Anime series such as Naruto, Black Lagoon, and Bleach are some of my all time favourites, but I know I’ll appreciate those series even more once I read the manga’s. Black and white brings out an emotion in an image I just can’t quite explain. Nevertheless, I do have a lot of experimental photos that are in colour, I just don’t post everything on social media.



– How do you deal with fear?
Without fear, our souls cannot grow, and once you do grow you realise those fears were simply a mirage of one’s lack of action. So whenever I’m scared or anxious, I confront the source directly…and that’s me.
– Have you always been captured by poetry? Or was there something else before?
The beautiful game of football was my number one passion and ambition. Unfortunately, things didn’t work out, and that dream faded into obscurity leaving me in a grave state of depression. Eventually I fell in love with photography, but once I started writing poems, I was finally able to move on, from the feelings of disappointment, of not being able to play the game I love so much. I realised the power of expressing oneself through words thanks to my younger cousin, Scritch. His poems gave me the courage to express my feelings. Whether I’m sad, angry, happy, confused, I just write.
-How do you prepare your mind to shoot, to write, to create?
I honestly have no meticulous routine when it comes to creating. I write what’s on my mind and heart. I instinctually capture what my soul believes my eyes need to see. Everything with me is based on intuition. The motivation within me values authenticity, and that’s what keeps me on the edge of my seat. One moment I’m at work scanning products. Then, all of a sudden I’m on a mission to find a hiding spot, so I can write in my phone a note of the poem that just popped up in my head. Story of my life…LOL, the most unexpected things always turned out to be the best experiences.
– Last but not least, do you think the glass is half full, half empty, or just twice as big as needed?
The only limitation which can be cast upon us is the awareness to perceive the actions of the Shadow Angel. Apart from that, the glass is infinite.
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Read other articles in the issue
- Art as a Diary: Expressing the Unspoken Through Colours
- Beyond Beauty: Art, Resistance, and the Imagination
- From Scribbles to Syndication: The Making of a Comic Strip
- Listening to Stone: Dan Peragine on Art, Education, and Inspiration
- Lost in Words: The Journey from Fan-fiction to Original Fiction
- Painting the Unseen: Monsters, Mental Health, and the Power of Art
- The Conversation Photo: Capturing Stories in a Frame