Have you always been beautifully creative or did that recently happen?

“Since I was a kid, I have always been a creative person! I always had pencils and paper around. I loved doing a lot of collages from magazines and stickers, mixed with drawings. When I grew up, I had less space for my creativity; I was fully committed to my STEM path at the university, so I didn’t have much time to express my hobbies outside university life, where free time and creativity were very limited. Only after my bachelor’s in biology and master’s degree in marine sciences, I decide to take some free time for myself and decided what to do. So I bought myself an iPad and I started with digital art in October 2023. I opened my socials and started sharing my art. In that year, I rediscovered my love for art and my creativity.

It is certainly something I have cultivated over the years in many ways. Working as an illustrator allows me to be creative in so many ways. The numerous projects I work on largely inspire me and fuel my creativity. But to preserve it, I tend to work when I’m feeling the most inspired and creative, and this is when I create my best work!

– So how did you get into book illustration?

My obsessions with books started when I was in middle school with very classic series like LOTREragon, and important classics such as Pet SemetaryDorian Gray, or And Then There Were None. My very first book fan art was a portrait of “Saphira” from Eragon, inspired by the original cover from the 2006 edition. I always had a good collection of books, with a strong preference for fantasy, horror, and thriller. I was fascinated by the hardcovers and illustrated editions of these books and started collecting them! My passion for books and art grew simultaneously as the years passed, but who would’ve thought I would be lucky enough to be able to work in the creative field as a book illustrator. 

I’ve found myself working on my first project by chance. I wasn’t actively searching to enter the book illustrations since I thought that was out of my reach at the time, and I didn’t know exactly how to start. I remember that one day, I was on Threads, and I posted one of my black and white illustrations, and after a few minutes, I received a request for “book internal art” for a romantasy series. I was quite confused because I didn’t know exactly what this author wanted from me, but I decided to give it a try! Since that moment, the demand exponentially increased and allowed me to decide to see if a freelance career as book illustrator could be a concrete possibility. A year later, I’m now officially a book illustrator. Some from the book community recognized me as the first book illustrator specialized in book internal art. Apparently, not much attention was given to that type of book art, and with my art style, I discovered a new niche in the book community.

– How does it feel being almost the pioneer of that niche section of internal book illustration?

I’m very grateful for all my clients and my community that is supporting my work. I honestly started to pay attention to this niche due to the high demands that I was receiving. People started to recommend my name specifically for that type of work. I didn’t actively search to specialize in book internal art until I noticed the very strong demand that was coming to me; part from my client and also part from the artist community, which was actively suggesting my work to clients in need of internal art! With time, I just started to push more towards that direction and decided to specialize in that.

If I think about that, it makes sense to me since I always love to work on line art. Probably, people around me saw what my art was trying to communicate before I even realized it. It’s always important to have external feedback, and sometimes, this really makes the difference in your art journey.

– How much do you think you have been influenced by the people around you, external feedback and all?

I think that when you work as a freelancer, it’s really important to learn to listen to external feedback, especially if you work alone. This doesentìt mean that external feedbacks go toward a direct influence. I observe and I listen carefully, and feedback from my clients and my community is extremely important for me. I think that for me personally, it wasn’t about “influence” but more about observing how people were responding to my work, and I just moved in consequence to that feedback.

– What part of making art as a freelancer has surprised you the most so far?

Probably the creative process! I used to think that one of my most common problems was a lack of creativity due to the demand for custom illustrations. Created for yourself and for others, it’s quite different in terms of creativity. I was worried that in the long run I might face problems finding the right inspiration, but I was quite surprised by how challenging (in a good way) that turned out to be. I always find inspiration from my clients’ requests, and I’m glad to work on various projects beyond my usual ones