Ink and Soul – The Artistic Odyssey of Ellie Zalar
‘Art has always been there for me; it’s my way of expressing the complexities of life and connecting with others through our shared human experience.‘
-When did you know that art was your thing?
Art has always been prevalent within my upbringing. I come from a heavily working-class background, yet my aunty was the first person to pursue art as a career. When I was a kid, she would come visit us every summer, and I would ask her to draw me the flowers she would illustrate so well. Thinking back to it, I was probably quite annoying towards her, as she would be trying to catch up with the family as I would be there nearing her waist, tugging her with pencils in my hands nagging “do another one, please, for me!”. She would sigh yet would never fail to draw them out for me, she was one of my biggest role models as a young person; always encouraging me to express myself regardless to the lack of understanding I would inevitably receive from the rest of the family, for not wanting to strive for a more reliable source of income. Despite my aunty being one of my biggest inspirations, art has always been there for me. My main inspirations as a kid would be the animations I would watch on tv (I could name too many) but to name one would be ‘Ruby Gloom’ illustrated and animated by Martin Hsu (alongside his huge team). To watch something so free, exploding with thought-provoking philosophies and ways of being through the indie characters stuck with me. And, of course, Tim Burton and his array of wonderfully weird films, they bring great comfort to me and assure me how important it is to speak through art, too.
– If your inks could talk, what wild stories would they tell about your creative process?I love to sketchbook before anything else, and to journal entry. I am absolutely infatuated with the beauty of character design and development. I believe every single person on this Earth has a story to tell, so different yet similar from another. I like to bring real life people to a different world, by illustrating them into their own peculiar characters. I guess the characters, if they could talk, would natter to one another and argue, feud, yet also bond through their likeness after clashing for their differences. They would likely to tell you about their wonderfully mundane lives, and question why I thought to immortalise them on to the page through pen, and so I would reply “because I find you fascinating” and they’d stare at me oddly until I awkwardly flicked the page over onto the next peculiar creature I have mustered up from my mind!
– Was there a “lightbulb” moment that made you say, “Time to launch my own store”?
Yes, I had just been mis-marked by my University and told that I could not re-enrol to study with them (many other students had been mis-marked and unfortunately this news was far more detrimental to their livelihoods… we didn’t find out we had been under-marked- so told we had failed when we had actually passed – until 6 months later after the previous misinformed news). So, I received my ‘‘failure’’ on a piece of paper in the mail, and was told I couldn’t re-enrol due to that fact. I thought to myself, if anyone is going to help me, it is me. I had been working on a series in the summer of 2022 called ‘the beautiful mundane’ and was very proud of the characters that danced upon the pages forming their own artworks, I decided I would there on work on putting myself out there by opening a Shopify store (although there are a range of websites you can use so I would recommend doing your research as to what website will optimise the best for you, see everything as an investment as not many things in life are free, so they should at least be worth it). And I decided to upload my first collection of prints on to there after working on this website for a while, I sourced a local printer to produce high quality prints of my artworks and have been making humble sales since.
A year later, I decided to re-enrol to university, since I only had one year left until completion, and graduated in July 2024. But all my progress, determination, grit and passion for my artwork has come from my very own soul. University is great to form personal connections and life-long friends, but I very much wish I did thorough research before enrolling, as the course (fine art) didn’t grant me much, I would recommend a foundation course ten times over, and getting out there in the community by attending stall events and opening your online store, dedication for your craft and constant willingness to practice- alongside healthy breaks.
But, if you are considering Art University, please wonder how it will BENEFIT you, and don’t listen to people who say it doesn’t matter if you don’t attend, it does. It is a lot of money to consider, so honour your future self by being wise with your money, thinking about how the course will help you, thinking about what specific career you desire, and make humble steps from there… Jumping into the deep end isn’t always the best way to thrive!


-Can you describe a piece that felt like a warm hug to you during tough times?
An original piece of mine that has been the most expressive of my own turmoil (amidst pretty much every single person on this Earth) is “The Chain”. It feels like a warm hug because it represents the human conditioning in such a raw and telling way that it is impossible not to feel seen in some way for it. I created the Chain to represent how we all get caught up in one another’s’ pain and how alleviating it feels when we harness the power of self-respect, boundaries and dignity to ensure we cannot be manipulated into carrying burdens that exceed us. It can be hard to exist around other humans before developing traits of self-preservation, so the chain is an artwork that embodies the struggle, and liberation once finding oneself and honouring oneself amongst the chaos. To be psychological about it, ‘to break the chain’, or ‘to break the pattern’ is to evolve, and to heal from behaviours that previously trapped us. To break the chain is to be free.
– Pick a piece from your work that could be the next great animated film. What’s the plot?
A lot of my works are narrative based, but again, I think I am going to have to say, ‘the chain’. It would make for a great main aspect of an animated film as in some ways I believe I was heavily inspired by the ‘behelit’ scenes in Berserk (1989-present) which is a dark fantasy Japanese manga. The behelit scenes signify tormented faces that are connected to the underworld.
The chain would likely be some connection to behelits, a chain of events that props up when the protagonist tries to manipulate their fate and exceed their belonging on this path. Perhaps the chain would signify the inability to escape the human conditioning, and how it will always present itself in many forms no matter the protagonists attempt to escape their own humanity.



– If one of the characters in your paintings came to life for a day, what mischief would they get up to?
Good question! I believe it would have to be the painting of the “crazy cat lady” which is a character designed in my sketchbook (not yet a painting) representing a woman who owns cats with the power to absorb souls that intend to cause great harm to others’ (murderers, abusers, I could go on, but you get the point). She is seen as quite a loner, a weirdo, yet it is her and her cats that are keeping the neighbourhood safe from terror! I thought it was a funny interpretation of ‘the crazy cat lady’ trope, and so you know her and her cats would be casually rounding up all the harmful people in their area and the cats are absorbing them for dinner through some freaky cosmic horror themed absorption, yummy (see drawings to understand this load of nonsense)!
– What’s the most bizarre inspiration that’s sparked a masterpiece in your collection?
In short, people! How we try to mask ourselves into some ‘normal’ shell to go about ‘normal’ day-to-day experiences that were never meant for our nature, such as, occupying a house, climbing up the societal ladder, and so forth, and capitalising our humanity, will never not be bizarre to me. How we see nature as some old-fashioned relic that we can abandon without detrimental impacts to our mental wellbeing as well as physical will never not baffle me.
I recently watched the film ‘Fern Gully; The Last rainforest (1992)’, which beautifully animates the vitality of nature, and how humans feel more superior than it, when that is far from the case, we are all one. I find people endlessly fascinating, and it is people and all our profoundly strange ways of behaving that are the main inspiration for anything I create.
– Paint me a picture—what’s your dream project five years down the line?
Whether it remain a dream or not, I wish to take sketchbooks along with me on travels, I would love to document all I see and all I learn in the next 5 years and turn them into their own relatable stories. I have recently gotten into storytelling through my book releases ‘ZALAR ART- A GLANCE INTO MY WORLD’ and I wish to expand on this project with more volumes and evolution, for this franchise to become something special.
– Last but not least, what is your least favourite coping mechanism?
Something that I know is vital yet very hard to keep on top of, even though I know it benefits me and my presence as not only a creative but a person, is keeping up to date with messages! I prefer handwritten letters and real-life plans, messages can get A LOT and overwhelm me. But, it is something in this modern day that we need to learn to dedicate some time to if we want people to feel seen and heard by us, so it is something I want to start dedicating appropriate time to being reliable with.
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- Capturing Nostalgia in a Digital Age
- Echoes of Its Autumn
- Elly Veritas-A Life Shaped by Words and Imagination
- From Strings to Studio: The Unexpected Musical Journey of Asgard Raven
- James’ Blossoming Thoughts
- Mary Lawal’s Mission in Mental Health Awareness
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