Wonderment: Enchanted light with Crystal
I’ find that in life, as well as photography; if I’m not pushing myself to take the creativity further, I’m not getting anywhere.‘
– What was the inspiration for your very first official shoot?
After I graduated from East Carolina University, I was contacted by a client that wanted me to paint his body silver for some fine art prints of himself, I thought it was a great idea, and it inspired a body-painting project that I created later in life! I am currently studying at the Academy of Art University of San Francisco online in North Carolina and I created a Chakra Healing through bodypainting project. The models took a chakra test to determine which energy point needed healing and I picked the colours that we would paint the body from that test and sent healing energies while doing the painting.
– How did you get into light photography?
Light painting photography is pretty new to me. I started really getting into it this summer. Lately I have been researching the technique and I’m doing a project called Wonderment: Enchanted light for my midpoint review at Academy of Art University of San Francisco, which I’m up for this semester. I saw a post on Instagram from Eric Pare’ and his light painting shots inspired me to do my own project. He travels all over the world for his light painting portraits. Social media helps me find the most interesting artists! The project, Wonderment: Enchanted light, has turned out amazing so far, and I can’t wait for my next shoot on Sunday.
– Can you explain the thought process behind ‘Wonderment: Enchanted Light’. What are you hoping to achieve with this project?
Wonderment: Enchanted light has been created for my midpoint review at The Academy of Art University of San Francisco. It is created for the magical reality genre and blends the seen (human subjects) and the unseen (compositionally formed light through the camera). My signature style is bold with rich saturated colours, tones and technical precision that also has a dreamlike, ethereal aesthetic. I really try to put emphasis on colour in these photos, even in the misty silhouettes. The colour of the light as I’m painting, blends with the secondary subject, the model in the photo. My goal is to combine the reality of the seen and unseen through these captures. Light is a magical element in this project as I transform a portrait to another level that warps reality through the camera. The light painting process draws the viewer to formulate an intimate experience as they connect with the drama of the creation of these photos. I help the viewer wonder how these magical images are created. That is why this series is called Wonderment: Enchanted light.
Light painting has been crafted through photography for many years, I came across Eric Pare’ and Andrea Riezzo and the amazing work they captured with portraits and light, and this work inspired me to try it. I put together some homemade lights, added some sparklers and went out into the world to see what I could create, and the results were stunning and guided me to create this project. The experiential subject matter guides the viewer to experience light not only as a physical presence in the project, but also as a narrative energy that they can succumb to while viewing the photos. I strive to achieve wonderment through the viewer. To spark an interest where the viewer opens up and experiences a reality that only the camera can create, binded with the real world human.

– Do you consider yourself as an artist who isn’t afraid of branching out of your comfort zone?
I love branching out of my comfort zone! I started underwater photography and literally learned to photograph underwater where you can’t see anything and you don’t know what the photo is going to turn out like. The same for my bodypainting series, I reached out to people on Facebook that I did not know and asked them to pose nude and let me paint their body and photograph them. It worked like a charm, and I got some great results from the shoots. I am a type A personality that likes to stay busy, so I’m constantly looking for new ideas and inspirations for photography. People ask me all the time how I’m inspired, and I have to say social media is the fastest form of inspiration because apps like Instagram’s algorithm will pick up on the type of photography I’m doing and give me other photographers pages that are similar, or even people doing different and creative photography that I can learn from. There are so many things that I learn from YouTube, Instagram and Facebook about how to create new, inspiring, photographs, it’s amazing!
I find that in life, as well as photography; if I’m not pushing myself to take the creativity further, I’m not getting anywhere.
– What would you say is the most unexpected situation that your artistic creativity has led you in your career so far?
I really try my hardest to avoid unexpected situations, I work with models so everything I do is planned to an extent. I usually formulate my mental model and create the image in my head step by step. One semester I did a project called Inedible: The food we eat is killing us!!! For one portion of the photoshoots I got my 5 Godchildren to throw food at each other and pose while it’s hitting them in the face. They smeared eggs everywhere, destroyed a box of cereal, splashed ice cream around, we wasted so much food. I also had a lady construct a frozen food tray and I put people in it like they were dead with the food for the project. I’ll attach a photo. This was by far the most hilarious project I have ever done, it was so much fun! But the message is very true. I started another layer to this project, but it is not finished yet, but I have big plans for this project when it’s completed. I really want to get the message out there about the food we consume on a daily basis and what it’s really doing to our health.
– From all the projects that you have worked on, which would you like people to label your landmark project? If you can’t choose one from the projects you have already worked on, what would be your ideal landmark project?
I want to be known for underwater photography as well as my light painting series Wonderment: Enchanted light. I love doing underwater photography. I have done it for 3 summers and the photos always turn out amazing. I want to formulate a series doing underwater photography but it’s hard as it can only be done 3 months out of the year. It’s a little stressful bringing the camera into the water, but the results are stunning. I use an EWA marine underwater camera bag, it’s not bad, you can fit any camera into it and the results are nice. Eventually. I want to update to a stronger underwater case though, for more control over the camera. In the summertime I’m just doing photography to play around, and I have been known to create an underwater scene with the help of AI once in a while. It’s the next best thing when I can’t get out into the ocean.
Maybe one day I will be scuba certified and do shoots in the ocean, that would be divine. A lot of people think A.I. Is a bad thing, and when you’re just generating photos that you had no part of the creation in, I can see how they come to that conclusion. I use A.I. as an aid, and it has opened new options for my captures that wouldn’t exist without it. I don’t use it too much for school, but I do play around. If you know how to help it, it can be very useful. I don’t think it’s going away anytime soon.
My series Wonderment is the series that I’m creating for school. It has to do with enchantment and magic as well as a light painting chapter. I have just started developing it last semester, but I have 3 more years to work on this project and get it ready for the final review for the Academy of Art. Wonderment will be the first project that I will be developing over a span of years, doing this is beneficial for my career in so many ways.
The longer I spend developing a project, the more value it creates through the work and the message comes out clearer. Not to mention the photography experience I get just by staying active to my artist’s calling. It’s going to be interesting to see the way my project develops over time. I have only taken 2 photoshop classes at this point in my career and I feel like there’s so much to learn, but that I can already do so much! This will probably be my landmark project in my career, and I will find a way to incorporate the underwater photography into Wonderment!



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- Drawn to the Story; Marta rediscovers the artist
- Ghost Stories in Ink and how Sophie is a medium
- Not About Me: Art, Aspiration, and the Irony of Representation with Katie
- The Literal Art of Becoming Whole with Ellie Rose
- There is meaning in the reusable, Cazoshay sees that
- What the Hands Remember, K is hoping for connection